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Runnin' Wild

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Runnin' Wild
Studio album by Airbourne
Released
June 23, 2007 January 23, 2008 January 28, 2008 January 29, 2008 May 30, 2008
Genre
Hard rock, pub rock, glam rock
Length
36:40
Label
Roadrunner (U.S.)EMI (Australia)
Producer
Bob Marlette
Professional reviews
Allmusic link
Degeneracion Rock link
Airbourne chronology
Ready to Rock(2004)
Runnin' Wild(2007)
Live At the Playroom(2007)
Runnin' Wild is the debut album published by the Australian hard rock band Airbourne. The album was released on 23 June 2007 by the record label EMI and debuted on the ARIA album chart at #21. It debuted at #62 on the UK Album Chart.
The album was released in the United States on 29 January 2008, through Roadrunner Records and it debuted at #106 on Billboard 200.
The album won "Best Debut" at the Metal Hammer Golden Gods Awards, 2008.
Contents
1 Track listing
2 Limited Edition
3 Personnel
4 In popular culture
5 References
6 External links
//
Track listing
"Stand Up for Rock 'N' Roll" - 4:01
"Runnin' Wild" - 3:38
"Too Much, Too Young, Too Fast" - 3:42
"Diamond in the Rough" - 2:54
"Fat City" - 3:26
"Blackjack" - 2:42
"What's Eatin' You" - 3:36
"Girls in Black" - 3:16
"Cheap Wine & Cheaper Women" - 3:10
"Heartbreaker" - 3:56
"Hellfire" - 2:19 (U.S. release)
"Lets Ride" - 3:28 (Australian and New Zealand release)
All songs composed by Joel and Ryan O'Keeffe.
Note: On the Australian and New Zealand release of the album, "Let's Ride" is featured instead of "Hellfire".
Limited Edition
In addition to the standard CD release, Runnin' Wild is also available in a limited edition version which contains a bonus DVD. The DVD contains eight live tracks from the 2008 Wacken Festival, as well as music videos for the three singles.
Personnel
Joel O'Keeffe - lead vocals, lead guitar
David Roads - rhythm guitar, backing vocals
Justin Street - bass, backing vocals
Ryan O'Keeffe - drums
Producer: Bob Marlette
Engineer: Dave Schiffman
In popular culture
The song "Runnin' Wild" is featured in the EA Sports video game Madden NFL 08. along with NASCAR 09. It was also featured in a commercial for the video game Battlefield: Bad Company and as downloadable content for Rock Band.
The song "Blackjack" is featured in the video games Need for Speed: ProStreet and NFL Tour.
The song "Stand Up for Rock 'N' Roll" is featured in NHL 08, the trailer Maximum FirePower for Medal of Honor: Airborne, Madden NFL 09, Bring It On: In It To Win It and in NASCAR 08. The song was also the theme for WWE's Royal Rumble 2008.
The song "Let's Ride" is featured in skateboarding video game Skate.
The song "Too Much, Too Young, Too Fast" is featured in Burnout Paradise and is the official theme of NASCAR 09. It is also featured in the most recent Guitar Hero video game Guitar Hero World Tour.
The song "Girls in Black" is featured in the skateboarding video game Tony Hawk's Proving Ground.
The song "Runnin' Wild" is used in ESPN Saturday Night College Football highlights and also on EA Games' website for the new NHL 2009 trailer.
References
^ Charts http://www.australian-charts.com/search.asp?cat=a&search=airbourne Retrieved: January 28, 2008
^ Magrino, Tom (2007-06-29). "Madden 08 drafts song list". GameSpot. http://www.gamespot.com/news/6173374.html. Retrieved on 2007-07-01.
External links
Official website

v?d?eAirbourne
Joel O'Keeffe Ryan O'Keeffe David Roads Justin Street
Studio Albums
Runnin' Wild Upcoming second studio album
Live Albums
Live at the Playroom
EPs
Ready to Rock
Singles
"Runnin' Wild" "Too Much, Too Young, Too Fast" "Diamond in the Rough"
Tours
Pub Rock (2006) Runnin' Wild (2007-2008)
Categories: Airbourne | 2007 albums(and so on)

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Cheech & Chong


Cheech & Chong are a comedy duo, consisting of Richard "Cheech" Marin and Tommy Chong, who found a wide audience in the 1970s and 1980s for their stand-up routines, which were based upon the era's hippie, free love, and especially drug culture movements.
Contents
1 Career
2 Solo careers
3 Reunion
4 Discography
4.1 Albums
4.2 Singles
5 Filmography
6 References
7 External links
//
Career
The stoner duo released many successful comedy albums, and starred in a series of low-budget commercials, becoming a successful comedy team. Some of their best-known comedy routines and songs include "Earache My Eye," "Basketball Jones," "Santa Claus and his Old Lady", and "Sister Mary Elephant." Perhaps their all-time most famous line is "Dave's not here," from their self-titled debut album.
Their early success culminated with the release of their first feature-length movie, Up in Smoke, in 1978. Relatively successful, it became something of a cult classic and was successful enough to warrant a sequel, Cheech & Chong's Next Movie, in 1980, and Nice Dreams in 1981.
Solo careers
In 1985 the duo released their album Get Out of My Room, which included the novelty hit song, "Born in East L.A." (based on Bruce Springsteen's "Born in the U.S.A."). This song would later serve as the basis for the 1987 film of the same name, in which Cheech Marin played the starring role.
Immediately following the release of the album, Cheech Marin separated himself from the pair's drug-inspired act by working on a solo career. In addition to starring in the aforementioned Born in East L.A. movie, he has performed character voices for several animated feature films, including Disney's Oliver and Company (1988), The Lion King (1994), and Cars (2006). Marin also starred in various comedy films, including The Shrimp on the Barbie, and in several television series: Nash Bridges (which featured Chong in one episode and treated fans to "Dave's not here, man", to which Marin replied "Let's not go there") and The Golden Palace, as well as a recurring guest role on Judging Amy. He had a memorable part as a bartender in the film Desperado, as well as other roles in successful Robert Rodriguez films such as From Dusk Till Dawn and Once Upon a Time in Mexico, and has a recurring role as Hugo Reyes' (Hurley) father in the popular ABC series Lost. Recently, he appeared in the movie Christmas with the Kranks.
Tommy Chong also pursued a solo career, starring in such comedies as Far Out Man, in which Marin made an appearance. He co-starred on the FOX Television series That '70s Show in which he played Leo, a burned-out hippie very similar to his character Anthony Stoner (Man) in the movie Up in Smoke (1978). Chong also had a cameo in the U.S. Bicentennial movie spoof The Spirit of '76. In Dave Chappelle's 1998 comedy film Half Baked, Chong played "Squirrel Master" in the prison.
Reunion
After their contentious parting in the 1980s, the duo had a less-than-stellar friendship. Chong recalled going to Cheech's birthday party in 1994 and seeing Cheech "on the couch with his arm around his wife like we had just met. It wasn't comfortable."
They somewhat reunited to voice characters for a 2000 episode of the animated television series South Park, though their voices were recorded separately.
The duo had plans to reunite for another film when Tommy Chong's California-based company, Chong's Glass, was raided by federal officials on February 25, 2003, as part of a federal crackdown on "drug-related paraphernalia." Tommy Chong pleaded guilty to charges of distributing drug paraphernalia in May and on September 11, 2003, was sentenced to nine months in federal prison, fined US$20,000, and forced to forfeit US$120,000 in assets. He served the time between October 8, 2003 and July 7, 2004.
With Chong released, the duo planned to resume production on their latest opus. A variety of titles were rumored, including Grumpy Old Stoners. Cheech and Chong announced on September 8, 2005 that the reunion film had been canceled. In a 2007 interview, Chong hinted that the reunion may be back on.
On June 3, 2008, Tommy Chong announced that, starting in September 2008, he will be reuniting with Cheech Marin for a comedy tour. Shelby Chong, Tommy's wife, will be opening.
On July 3, 2008, Tommy Chong (on a live webcam chat) reconfirmed that he and Cheech will be doing another film, based on their reuniting and live bits from the aforementioned comedy tour.[citation needed]
On July 30, 2008, the team reunited to publicly announce their fall comedy tour, titled "Cheech and Chong Light Up America/Canada". This announcement was made at a press conference at The Troubadour in West Hollywood, CA. Ottawa was the first city worldwide on September 5, 2008.
On November 5, 2008, Cheech and Chong reunited for a timely message in a video on Funny Or Die to encourage people to get out and vote on Wednesday, November 5th, the day after the election. This occurrence was similar to an event in Weekend at Burnsie's, an episode of the animated series The Simpsons, which aired in 2002. The video is titled "Cheech and Chong Get Out the Vote!"
On November 30, 2008, Cheech & Chong were honored during a roast special on TBS hosted by Brad Garrett which included other guests, among them Chong's wife. The event was filmed at Caesars Palace in Las Vegas during The Comedy Festival.
On March 7, 2009, Cheech & Chong appeared on Spike Feresten's talk show and they said that there is a new movie in the making.
On March 14, 2009, Cheech and Chong recorded 2 shows at the Majestic Theatre in San Antonio, TX for a dvd release of the their Cheech and Chong Light Up America tour.
Discography
Albums
Cheech and Chong -- Ode 77010 (1971)
Big Bambu -- Ode 77014 (1972)
Los Cochinos -- Ode 77019 (1973)
Wedding Album -- Ode 77025 (1974)
Sleeping Beauty -- Ode 77040 (1976)
Up in Smoke -- Warner Bros. 3249 (1979)
Let's Make a New Dope Deal (1980) -- Warner Bros. 3391
Greatest Hit -- Warner Bros. 3614 (1981)
Get Out of My Room (1985) -- MCA 5640
Where There's Smoke There's Cheech & Chong -- Rhino 74265 (2002)
Singles
Santa Claus And His Old Lady / Dave -- Ode 66021 (12/71)
Basketball Jones featuring Tyrone Shoelaces / Don't Bug Me -- Ode 66038 (8/20/73)
Sister Mary Elephant (SHUDD-UP!) / Wink Dinkerson -- Ode 66041 (1973)
Earache My Eye featuring Alice Bowie / Turn That Thing Down -- Ode 66102 (8/10/74)
Black Lassie featuring Johnny Stash / Coming Attractions -- Ode 66104 (1974)
(How I Spent My Summer Vacation) or A Day At The Beach with Pedro & Man, Parts I & II -- Ode 66115 (9/75)
Framed / Pedro's Request -- Ode 66124 (1976)
Bloat On featuring The Bloaters / The Bloaters' Creed (Just Say "Right On!") -- Ode 50471 (1977)
Up In Smoke / Rock Fight -- Warner Bros. 8666 (8/78)
Born In East L.A. / I'm A (Modern) Man -- MCA 52655 (1985)
I'm Not Home Right Now / Hot Saki -- MCA 52732 (1985)
Filmography
Up in Smoke (1978)
Cheech & Chong's Next Movie (1980)
Nice Dreams (1981)
It Came From Hollywood (1982)
Things Are Tough All Over (1982)
Still Smokin' (1983)
Yellowbeard (1983)
Group Madness (1983)
Cheech & Chong's The Corsican Brothers (1984)
Get Out of My Room (1985)
Rude Awakening (1989)
Far Out Man (1990)
a/k/a Tommy Chong (2005)
Cheech & Chong Light Up America (Documentary film about their 2008 reunion tour) (TBA)
Cheech & Chong's Smokin' Animated Movie (Currently in Production)
Untitled Future Film (TBA)
References
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Court of Common Pleas (England)


For other uses, see Court of Common Pleas.

The Court of Common Pleas in 1822
The Court of Common Pleas, also known as the Common Bench or Common Place, was a common law court in the English legal system. Created to relieve pressure on what later became the Court of King's Bench, the Court of Common Pleas stood as the third highest common law court for over 600 years until its abolition in 1875. For centuries the court served as a place of innovation, with the judges presiding over influential legal cases and the court itself introducing procedural changes which later caught on in other courts. The beginning of the 16th century, however, saw an innovative drought that led to the court being swiftly overtaken by the other common law courts, and by the time the court was abolished much of the court's power, influence and exclusive jurisdiction had been stripped and reassigned to the other common law courts.
Contents
1 History
1.1 Split from the King's court
1.2 Modernising
1.3 Stagnation
1.4 Amalgamation
2 Jurisdiction
3 Structure
4 Influence
5 References
6 Bibliography
//
History
The court was created by Henry II after complaints about the unusual number of eyres, as recorded by Abbas Benedictus:
"By the counsel of the wise men of his realm, he selected five men only, two clerks and three laymen, who were all of his own household. And he ordained that these five men should hear all the suits of the realm, and adjudicate upon them, and that they should not depart from the Curia Regis, but should remain there to hear men's suits; provided that if any question arose among them which they could not solve it should be reserved for the King's hearing, and should be settled as seems good to him and the wiser men of the realm"

Henry II of England, creator of the Court of Common Pleas
The creation of the court was undoubtedly designed to relieve case-load pressure on the court Coram Rege (meaning "in the presence of the King", later to develop into the Court of King's Bench) by assigning all common pleas (matters between subject and subject) and mundane cases to a separate court, leaving more difficult litigations for the King and Council. The Court of Common Pleas remained part of the Curia Regis, however, rather than a separate court, and as such was mandated from the beginning to follow the King as he travelled about the realm.
Split from the King's court
The split in the Curia Regis began in 1178, where evidence shows that fines were levied sometimes Coram Rege and sometimes by justices of the Common Bench. However, there were not yet distinct tribunals, as shown by the Curia Regis plea rolls, which remained grouped as one rather than divided into separate rolls for the Common Pleas and King's Bench. Under Richard and John the decision of whether the case was heard Coram Rege or by the justices of the Common Bench often rested simply on the happenstance of the King's presence. In the absence of the King (and therefore the cessation of activity in the Court of King's Bench) the justices of the Common Pleas dealt with all cases, including pleas of the crown. At this point in John's reign there are no separate entities in the Curia Regis, but with the institution of Itinerant Justices and of a separate bench that did not require the presence of the King to sit there is evidence of a growing divide; according to Maitland, "the King's Court of John's reign shows no cleft, though it does show a well-marked line of cleavage".
Despite the original intent of the Common Pleas to following the King as part of the Curia Regis, there is evidence it had a fairly common presence in the Bench at Westminster, which had itself separated from the roaming courts of the Exchequers in the mid 1190s This is noted by Glanvil's treatise Tractatus de legibus et consuetudinibus regni Anglia. In Magna Carta (1215), it was provided that the communia placita (common pleas) should be held "in a certain place" and would no longer follow the King. Specifically, the 17th clause held that "Common Pleas should not follow [the King's] court but should be held in some distinct place", establishing the Common Bench as a purely judicial court and separating it from the King's Bench, which was required to follow the King. This was not a complete revolution, nor something novel; the "certain place" was Westminster where the Common Pleas had been located since 1187 and continued to sit until the court's abolition in 1875. Occasionally, the Common Pleas would sit outside London, such as during times of disease, but also moved on other occasions; the monarch reserved the right to select where it would sit, and as such the Court also convened at York in 1337 and 1392, St Albans in 1544 and Hertford in 1581.
The separation of the two courts was abated during the minority reign of Henry III. Since a court could not sit "in the presence of the King" the two were merged to allow both common and crown pleas to be heard. When Henry reached his majority in 1224 the distinction again appeared, arguably to a greater extent, as from 1234 separate Plea rolls were used for each court; De Banco (of the Bench) for the Common Pleas and Coram Rege for the King's Bench. As early as 1237 there are cases specifying the plea of "common pleas" as opposed to "coram rege", showing a growing distinction between the two. The resolution of the Second Barons' War clearly established the Court of Common Pleas as a separate entity to the King's Bench through a renewed recognition of Magna Carta. This was done to solve the problem of the absence of the King; the Curia Regis had been suspended between 1209 and 1214 due to John's frequent foreign trips, leaving no high court. The separation was finalised in 1272 with the appointment of a separate Chief Justice for the Common Pleas. Previously, the Chief Justice of the Common Pleas had simply been the most senior or respected of the courts justices rather than an appointed position, and the creation of a Chief Justice to stand with the Chief Justice of the King's Bench and the Chief Baron of the Exchequer firmly entrenched its position as a separate entity. After 1272, the Common Pleas ceased to directly try any criminal cases.
Modernising
The justices of the court in the 12th and early 13th century were usually royal clerks, following Henry II's proclamation that the justices be "of his own household", but in the late 13th century these clerks began to be replaced by professional lawyers; of the 19 justices under Edward II, eight or nine were royal clerks and the rest practicing barristers. The ascent of the barristers is shown by the fact that, other than Hervey de Stanton, appointed Chief Justice in 1326, no clerical judge was appointed after 1316. In 1316 the order of Serjeants-at-law was created, made up of the leading barristers of the Kingdom, and naturally when the selection of royal clerks as justices stopped they instead began to be selected from the order of Serjeants. In time only Serjeants-at-law were allowed to become justices of the Common Bench, and to get around any possible difficulties involving potential justices not part of the order of Serjeants, it became typical to make any prospective justice a Serjeant merely so he could be raised to the bench. The practice of appointing only Serjeants as justices was adopted by the King's Bench in the 14th century and the Exchequer of Pleas in the 16th, and was not removed until the Supreme Court of Judicature Act 1873. After the 14th century, the Common Pleas appears to have sat in two Benches. One settled oral pleadings which are fully reported in the Year Books, and the other sat with a jury and decided cases.
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